​Prince's Cousin Recalls Singer's Overdose A Week Before Death: "He Died On The Plane" 11/13/2019

​After the incident, Prince reportedly returned to life as normal.

Music icon Prince's talents were so beloved by millions that fans almost believed him to be invincible. So, when he was found dead in his home in April 2016, the world paused in shock. A coroner would later determine that Prince died of an accidental overdose of fentanyl, leading to revelations about the musician's addiction to opiates.
​In a forthcoming episode of E! True Hollywood Story, Prince's cousin, Charles Smith, candidly speaks about the singer's near-death experience that occurred just a little over a week prior to his death. According to Charles, Prince was in his private plane when he stopped breathing. "He died on the plane," he says. "Then, they brought him back."

Immediately after the singer was revived using Narcan, a drug that counteracts the effects of opioids, he was rushed to a hospital. "Somebody said they wanted to test his blood, and Prince refused to get his blood tested. Somebody was hiding something," Charles recalls. He added that things didn't change much after that incident. "Prince is back to being Prince again and they take him back home. He should've never left that hospital."
​
"He's flown back to Minneapolis," Charles shares. "I'm like, what? Who does that? After you almost die on the plane. Just look at how many chances everybody had, that was in that circle, to say something or do something. He didn't have a chance." Watch the clip below and tune in for the full episode this Sunday.
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​Lou The Human Calls Out Interscope Records For Asking Him To Pee "On A Black Baby" 11/12/2019

​Lou The Human didn't deserve all that.

Many are aware of the restraints that come with record labels. Any young and sparkly artist may think their dream is coming true if a label expresses interest in signing them but sometimes a label may have a hidden agenda for how they want to introduce any given act to the world. Sometimes, it can mean completely changing the artist's original ways and the latter is what happened to Lou The Human and he's recently spoken out.  
​In a series of screenshots of notes Lou penned on his iPhone, he began by explaining how he thought his dream came true with Interscope signed him when he just had two songs out. “I was sold a dream, told I’d be the biggest artist in the world, told to wait my turn, and I played along,” he wrote. 

Things quickly changed when Lou was asked to do things that "didn’t align" with his values. "They asked me to piss on a black baby in a music video in an attempt to go ‘viral’ … I started to feel like I wasn’t in charge of myself or what ‘lou the human’ represented anymore. I didn’t complain though I just exercised my right to say ‘no’ more, which left me with the reputation of ‘being difficult and dysfunctional,'” he added. 

After continuing to put his foot down and steer away from the “Eminem-style” cover art the label kept presenting him with, he noticed a change as managers no longer contacted him and "pr work, press [and] simple things" were no longer available to him. "To be honest I have no fucking idea what a label does at this point. All I’ve gotten was ignored, maybe one photoshoot where my idea was slaughtered anyway lol, can barely get video budgets or another budget to start my album, I literally can’t even get anyone on the phone lol.”
​
Lou's last project, Painkiller Paradise, was self-funded and he announced that he would be retiring his stage name and this project will be his last.  
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​Summer Walker Responds To Negative Meet & Greet: "Respect My Space" 11/11/2019

​"Y’all may not understand."

Summer Walker has never shied away from who she really is, always remaining honest and open about her struggles with anxiety and fame on Instagram.

A while back the "I'll Kill You" singer got some negative reviews from fans, (well, one in particular) who were disappointed by her meet and greet at a recent tour stop. 
​The woman claimed Summer was quiet and "barely spoke" with anyone who waited so patiently to meet her. "There was not a care or sense of compassion for all the waiting and money spent into getting to that moment," the woman wrote. Summer has now responded to the backlash with a post of her own to Instagram. The 23-year-old began by thanking her fans who share their stories with her when they meet before responding to the negative banter. 

"Now for those who’re upset b/c I don’t give hugs idk what to tell you...I’m an empath, and that transference of energy from that many people each day would literally KILL me.. y’all may not understand what I’m talking about but for example,"  she wrote. "There’s a lot of people out here faking the funk with a smile on their face like they got it together but inside your actually suffering from some sort of traumatic experience, a loss, depressed, fearful, envious or whatever the case may be BUT I CAN FEEL IT. So I ask you please respect my space in those moments."

Check it out in full bellow.
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​Madonna Sued For Changing Start Time Of Upcoming Concert = 11/10/2019

​Madonna is lost in time.

Madonna is infamous for showing up at her concerts late. She has made fans wait over 2 hours in the past, and this isn't a rare occurrence. Now, according to BuzzFeed News, she is being sued. Last week, Madonna changed the start time of an upcoming Miami concert from 8:30 PM to 10:30 PM. A fan, Nate Hollander, filed a class-action lawsuit in Miami-Dade county claiming that he bought three tickets for a total of $1,024.95 to see her perform in Miami on December 17 as part of the Madame X Tour. Live Nation changed the start time of the show months after the expensive purchase, and it's now too late for Hollander to get there. The lawsuit also uses Madonna's reputation for being late to prove the case. The first show of the Madame X Tour began two and a half hours past schedule, which Nate claims caused Live Nation to reschedule start dates for other shows in an effort to work around the tardiness. 
Hollander also stated that he tried to get a refund from Live Nation but couldn’t, and the resale of the tickets has lost value due to the changed set time. This weekend, Madonna boldly addressed a crowd in Las Vegas, stating “A queen is never late.” This was after showing up very late for that concert as well. ​
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Cast Of Salt-N-Pepa Biopic Revealed = 11/09/2019

​The film will appear on Lifetime.

Lifetime is still kicking the biopic game and Salt-N-Pepa is the latest musical act set to be immortalized in film via the network.

The network is set to produce a new biographical miniseries that will chronicle the careers of Cheryl "Salt" James, Sandra "Pepa" Denton, and Deidra "DJ Spinderella" Roper. Shadow & Act reveals that the primary roles have been officially cast with actresses GG Newton and Laila OdomprotrayingSalt and Pepa respectively. Actress Monique Paul will take on the role of Spinderella.
​Other cast members will include Jermel Howard who will play rapper Treach. Treach married Pepain 1999and they would divorce in 2001. Cleveland Berto will also join on as producer Hurby Azor who played a significant role in Salt-N-Pepa's debut.

"The miniseries Salt-N-Pepa follows the story of Queensborough Community College students Cheryl "Salt" James and Sandra "Pepa" Denton as they fall into the world of rap and hip hop, after recording for a song for their friend Hurby Azor," reads the series' official description. "Salt-N-Pepa made a huge impact in hip hop by being one of the first all-female rap groups, changing the look of hip hop and unafraid to talk about sex and share their thoughts on men [...] The miniseries will also feature their greatest hits like "Let's Talk About Sex," "What a Man," "Shoop" and "Push It," among others.
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​Can Logic Regain His Footing In Hip-Hop? 11/08/2019

​As he preps a spiritual sequel to his debut album, we examine whether Logic can overcome the groundswell of disdain that hip-hop has expressed towards him since 2017.For the better part of a decade, Logic seemed to be on an upward trajectory. Propelled into the stratosphere by 2011’s Young Sinatra mixtape, the amiable MC was candid about the arduous childhood that he’d endured. Tales of familial drug abuse and near-strangulation from his mother made his sunny disposition all the more remarkable. Never short on aspirational rhetoric, his punch-line laden style and natural charisma soon enabled him to broker a merger between Def Jam and his own Visionary Music Group, weeks after he was named among the 2013 XXL Freshman. But where classmates such as Travis Scott, Joey Bada$$, Chief Keef and Ab-Soul have remained critical darlings, the very traits that once hoisted Logic to stardom are now being held against him.

Although he wasn’t ever universally beloved and regularly had to combat allegations of copying fellow rappers, his 2015-2017 run conjures memories of a time where Logic was considered highly capable as an emcee. Prone to quick-wittedness and neatly crafted rhyme schemes, even those unmoved by the subject matter or quirkiness of his debut LP Under Pressure, The Incredible True Story, or the socially conscious musings of 2017’sEverybody granted him his place among the industry’s leading lights. But ever since that third studio project, it feels as though that Logic’s reputation has been tarnished in the eyes of avid hip-hop consumers.

Teamed with the increasingly muted response to his projects—culminating in the disdainful takes his debut novel’s soundtrack Supermarket-- there is a sense that Sir Robert Bryson Hall II has been left preaching to the converted assembly of the Rattpack with only a semblance of interest from those beyond his core fanbase. Granted, this has done little to damage his commercial standing, as the often-pilloried MC captured his third Billboard number 1 record with Confessions Of A Dangerous Mind. But on the other hand, there seems to be a growing scornfulness towards Logic that suggests his artistic credibility has reached its low ebb.
As the world grows increasingly resentful and meanspirited towards Bobby Tarantino, this prevailing narrative was recently summarised by agitator extraordinaire Joe Budden as he leveled some serious shade. Speaking on a recent edition of his podcast, the veteran dispensed with any temptation to spare Logic’s feelings. “I’m going to be honest with you”, Joey proclaimed.” I don’t know what they tell you at Def Jam, I know you sold a lot of records, I know you sell out a whole bunch of tours and I know just how successful you are, I have to be honest, you are horrible, man.” As a parting shot, Joe would go on to brand the platinum-selling artist “easily one of the worst rappers to ever grace a mic.''

With fans and detractors speculating on whether the rapper will respond to Budden’s comments, the hate has now reached such a fever pitch that even Your Old Droog—who had previously claimed that “Logic must be stopped”--  felt compelled to recant remarks that he’d made about him in a lengthy open letter. 12 hours after he’d wished death upon the polarising figure and was placed on a Twitter timeout as a result, the New Yorker deemed his actions to be “ill-conceived and repulsive”. Among his impassioned Ratt Pack, questions such as “Why does everyone hate Logic?” And “do you think Logic is corny?” are commonplace. However, a more pressing query that’s often placed on the backburner is whether there’s still time for him to steer away from this vast canyon of ill-feeling and regain the status of the past.   

Never one to hesitate when it comes to bearing his soul, a 2018 interview saw Logic openly broach the rising tide of malice that was expressed towards him. "It’s just so fucked up that people can think I’m this way or that way”, he lamented to Billboard. I’m a good man. Why would someone talk shit about me?’ J Cole responded, “Well, why do you care?’ Why do I care what that person said my music isn't that good? That I’m a fuccboi or I’m corny or I’m a hypebeast? Why does it matter?” Far from the only rapper to receive flak online, the comparison to the Dreamville head honcho is valid in some ways. Where Cole is pejoratively labeled “J. Snore” by those who are left unmoved by his music, Logic is often deemed to be “corny” or otherwise false.  The crucial difference is that Cole takes a more tactful approach to unfounded hate—as exemplified by his sitdown with the architect of “FUCK J COLE” himself, Lil Pump-- whereas Logic gives oxygen to the hate through acknowledgment.
​Assured in the belief that “social media, personally, destroys me”, addressing the fact that he’s rankled by the comments has only emboldened the entire internet to lambast him. And it’s this inability to let the jibes slide that made Everybody into the turning point. Declaring that “there are certain things that shouldn’t be joked about”  after South Park parodied “1-800-273-8255", Logic also took time to acknowledge the seemingly endless array of memes about his heritage and made it clear that they dwelled on his mind. “Not even to bring it up, because I don't even want to talk about it a lot, because it's a meme on the internet now," Logic said. "But, like, even my race, I'm so proud to be who I am and to have all these people try to tell me that I can't be this," he told Zane Lowe.
​
Two years on from the height of the joke, there remains a sense that Logic is yet to fully reassert himself as a serious artist. For corroboration, look no further than YSIV’s title track from 2018. On the same mixtape that he conspired with the Staten Island’s finest to create a cultural moment on “Wu-Tang Forever," he cited the admiration that his fellow MC’s feel for him as a means of confirming that he’s earned his status. “The legends above me love me like the RZA, like Nas, like Jay 'Cause I mastered the flow from back in the day. Respected by my peers from Drizzy to Cole to Kenny. Thank you for the love and inspiration plenty. Yeah, I'm loved by many, and only hated by a little.”
​
Saddled with the albatross of trying to prove himself all over again, this groundswell of discontent that’s stalked his every move makes his recent announcement all the more intriguing. During an appearance on the Tiny Meat Gang Podcast from September 19th, Logic suggested that he’s looking backward in order to move forward. “I just did a song the other day called ‘Not Right Now.’ It’s pretty dope," he said. "I was writing it because I’ve been working on an album right now which is a sequel to my first album, Under Pressure, and it talks about a lot of really dope shit on it."
​Met with a mixture of excitement and trepidation, the notion that a fire has been lit under the Maryland native was reinforced with the recent release of “OCD.” Flanked by Dwn2Earth, Bobby Tarantino shed the glossy veneer and took aims at the very fans that uplifted him:
“Oh, shit, it's Logic! Can I have a picture?" They don't give a damn
Soon as they see me, they clench the device that's in they hand
Don't even say hello, more like, "Can I get one for the 'Gram?"
That's when I be like, "Fuck no, but you can shake my hand.”
I’m just gonna vent. This beat is my therapist right now.”
​A set of bars that bears resemblances to Eminem’s scathing reproach of intrusive well-wishers on “The Way I Am” or his verse on Xzibit’s “Don’t Approach Me," this raw honesty certainly hearkens back to the days of his 2014 major-label debut. Prior to its release, Logic spoke to Hip-Hop DX and clearly outlined the manifest for the project. “I let all that shit go. All trying to impress anybody”, Logic declared, “and I was just like, “Man, I’m just gonna vent. This beat is my therapist right now.”

Now, if he’s going to reinvent himself, it’s that sort of sincerity, not sentimentality, that’ll do the trick. In the wake of garnering success and the backlash that comes with it, Logic did what many of us would inadvertently do- try too hard to ingratiate himself to audiences and justify his place rather than focusing on his journey. In a reflective moment with NPR from back in 2017, Logic claimed that “I used to have nothing to lose, so that's why I would go as hard as I did— because I had nothing to lose and I had everything to gain." Once freed from the sense of urgency that the come-up requires, it appears that if Logic wishes to re-enter hip-hop’s good graces, he needs to recapture the energy that he possessed on his early projects.
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Kanye West Didn't Like Laughs When He Said He'd Run For President In 2024 = 11/07/2019

​Are you voting for Ye if he's on the ballot?

He once boasted that he would take his shot at becoming America's president in 2020, but it doesn't look as if Kanye West is ready for that quite yet. However, that doesn't mean that the Jesus Is King rapper has tossed out his presidential aspirations because he recently shared that he was eyeing the 2024 election with fervor. 
​Ye was in New York at the Fast Company Innovation Festival's fifth annual gathering where he sat alongside Steven Smith and chatted about Yeezys being the "Apple of apparel." During that discussion, Kanye veered off-topic for a moment. "When I run for President in 2024," the rapper began before the audience broke out in laughter. Kanye's face turned stern and he continued, "What y'all laughing at?"

After a brief, yet awkward, pause, he proceeded. "We would have created so many jobs, I'm not going to run, I'm going to walk," he said. "What I'm saying is, when y'all read the headlines, 'Kanye's crazy, this and that.' It's like, one in three African Americans are in jail and all the celebrities are in jail also because they can't say nothing. They got no opinion. They're so scared. Even after this, Imma get in the car I'mma be like [breathing heavy]. Feeling like how I felt at the telethon after I said George Bush don't care about black—you know what I'm sayin'?" He then went into how he may get a talking to from wife Kim Kardashian West when they're on their plane later for talking too much.
​
The clip ends with the panel moderator telling Kanye that he had to interrupt him because they had to get back to the subject at hand. We've found a few clips of Kanye also speaking about celebrities needing to be more vocal about Rodney Reed's death row case and taking Yeezy to Wyoming. Check them out below.
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​John Legend's Lyric Change In "Baby, It's Cold Outside" Slammed By Dean Martin's Daughter = 11/06/2019

​Deana Martin's not a fan.
​
The original "Baby, It's Cold Outside" has been pulled from Christmas playlists globally due to the problematic language that women of the 21st century aren't here for. Michael Bublé and Idina Menzel re-wrote a popular hit back in 2014 that didn't dismiss them from naysayers and now John Legend and Kelly Clarkson are the latest artists who shared their remake that Dean Martin's daughter isn't here for. 
​Dean Martin's version of the song is the one with the questionable lyrics but his daughter Deana still isn't for someone changing things up. "You do not change the lyrics to the song. He’s made it more sexual with those words that he has just said. It’s absolutely absurd," she told Piers Morgan, via Complex. "I think what he’s done is, he’s stealing the thunder from Frank Loesser’s song and from my dad. He should write his own song if he doesn’t like this one, but don’t change the lyrics. It’s a classic, perfect song." 

Sharon Osbourne has echoed the same sentiments on The Talk when she called the song "ridiculous."
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"I have to tell you, I love John Legend. I love John Legend’s wife, his family. He’s an amazing artist that I really respect. Why do you do this? That's not right," she added. 
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​Megan Thee Stallion Gives Nardwuar The Real Definition Of Twerking = 11/05/2019

​You've gotta get the cheeks moving.
​
There are obvious ways to screw up your attempt at twerking. If you have no booty, that's an automatic L. If your knees aren't strong enough, you've also got to do some extra training. Apparently, even Nicki Minaj isn't exempt from the twerk trollery, getting dragged across social media when she tried to pop her assets next to Megan Thee Stallion in the "Hot Girl Summer" music video. The reigning queen of the twerk throne, Hot Girl Meg, recently touched down in Las Vegas to perform at the inaugural Day N Vegas festival and, being one of the most popular artists on the rap radar right now, famed interviewer Nardwuar just had to catch up with the young lady to speak about everything going on in her life. 
​Since his schedule was filled with Lil Uzi Vert run-ins and more video interviews (which will premiere shortly on his YouTube channel), Megan Thee Stallion didn't get the usual number of surprise gifts that Nard's guests are accustomed to. She did not seem too familiar with the man's line of questioning, noting that she was impressed that he knew about her school teachers and principals. When it came time for a question about twerking, she came through with a bit of information about how to succeed at the dance move.

"I mean, I guess the cheeks wouldn't be moving so that wouldn't be twerking," she says, offering her own definition of the phenomenon. Then, Nardwuar brings up a blow-up doll that was designed in her likeness before closing out the interview with his signature "Doot Doola Doot Doot..."
​
Watch the full clip below and stay tuned for more of his Vegas escapades.
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​Fat Joe Talks N-Word, Says Some People Want To Look At Things With A "Racist Eye" 11/04/2019

He also called the term "Afro-Latinos" a "new word."

No matter how many times he's discussed his use of the n-word, Fat Joe still comes under fire for flaunting it in both his rhymes and everyday conversation. The Bronx native has never been shy about explaining how the term was a regular fixture in his life and his neighborhood, and once again he explained the word being a staple in his vocabulary.
​Fat Joe recently visited Los Angeles radio station 92.3 The Real and chatted with Bootleg Kev and DJ Hed about people who criticize him for saying the n-word. "My thing is, when you say, 'You're Latino, why are you using the n-word?' Are you calling me a racist? Do you think I'm racist for using it? 'Cause the way the n-word offends me is when somebody says it in a racial way. We feel like somebody's trying to call us n*gga...so now you lookin' at me with racist eyes when I do is for my culture, for my people? I treat black people and Latinos the same way. Hundred percent. No difference, no preference. I treat 'em all the same way."
​
Joe added that where he's from, the word is prevalent and he's heard it since he was a small child. "I wouldn't even know how to stop saying it," he said. The rapper added that there are some people who "just want to look at things with a racist eye, a racist view. Spike Lee, to me, he's always loved black people and shown beauty in black people, but I've been around some white people who have told me he's a racist. Because he loves his people? Does that make sense to you?... Sometimes we gotta watch the people who's trying to police the word." Watch his clip below, including what he had to say about his heritage and Latinos in the Caribbean. 
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 https://www.instagram.com/tv/B4WWHoUBcm8/?utm_source=ig_web_copy_link
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​Kanye West Officially Earns His Ninth Consecutive No. 1 Debut With "Jesus Is King" 11/03/2019

​"Jesus Is King" officially debuts at No. 1.

While Kanye West's Jesus Is King has long been slated to claim the No. 1 slot on the Billboard 200 albums chart, the rapper officially claimed his ninth consecutive No. 1 debut on Sunday, matching Eminem's record for the most consecutive No. 1 debuts on the same chart.

The effort claimed 264,000 equivalent album units in its first week with an impressive 109,000 units being pure album sales, a considerable figure for a hip-hop centric album in the streaming age. It also means that West lays claim to the second-largest sales week of the year for an R&B/Hip-Hop album, only trailing Post Malone's Hollywood's Bleeding.
​Randy Shropshire/Getty Images
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Meanwhile, streaming accounted for 151,00 total streaming equivalent albums, amounting to 196.9 million on-demand audio streams across the album’s 11 tracks, becoming the fifth-largest streaming week of the year and Kanye West's largest streaming week ever.

With every one of his projects charting at No. 1 since 2005 (2004's College Dropout is the only Kanye West album to miss the mark, debuting and peaking at No. 2), West now joins Eminem is surpassing the Beatles for the most consecutive No. 1 albums overall. They still trail behind Jay-Z's total of 14 No. 1 efforts, though they were not all consecutive.

Following up is Posty's Hollywood's Bleeding at No. 2 with 81,000 album-equivalent units. He replaces former No. 2 AI YoungBoy 2 who slips down to No. 4 this week with 64,000 units. Summer Walker's Over It glides on down to No. 5 with 60,000 units, followed up with DaBaby's KIRK at No. 6 with 40,000 units. Further on down the list is Young Thug's So Much Fun closing out at No. 10 with 28,000 equivalent album units.
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​Kodak Black's DJ Isn't Buying The Rapper's Reported Prison Fight = 11/02/2019

​Kodak's DJ isn't believing the recent reports of Kodak's prison fight.

Earlier this week, it was reported that Kodak Black was involved in a prison fight that left one guard injured; however, Kodak's DJ, DJ Showtime, smells "bullshit." 
​
"Y’all know I always keep quiet about Kodak situation, but I’m say this and walk off! It’s just crazy how Kodak been in the FEDS cooling and staying out the way, but 2weeks until his court date he get into prison brawl!" he said in a tweet sent out Friday morning.
​Showtime later added more on Instagram saying, "Now I’m not the smartest man in the world, but I can added up bullshit in a minute." He continued, "For Kodak to take that type of risk, y’all had to been fucking with my lil n***a! Y’all steady trying to find ways to fuck my lil soulja over, but you can’t stop what God have plan.. Free #KungFuKodak."

Kodak has been arrested a number of times throughout his career. He's faced misdemeanor drug charges, sexual assault charges, and violation of probation. 

Kodak was arrested back in May on federal firearms charges, to which, he pleaded guilty in August. The arrest was made just before his performance at Rolling Loud. His current sentencing is scheduled for November 13th. 
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​Lil Peep Album, "Everybody's Everything", Will Be Released This Month = 11/01/2019

​Coming out the same day as the documentary!

On Friday, we received a three-track posthumous EP from Lil Peep, titled Goth Angel Sinner. The project was teased by Peep before he passed in November 2017. While this was already the second posthumous release from the alternative rapper within a two year period, another one will be arriving on November 15. Columbia Records will be releasing the Everybody's Everything LP on the same day that the documentary about Peep of the same name experiences its nationwide release. Columbia described the album as a "lovingly-curated collection of songs from Lil Peep’s career, including fan favorites that have never been available on all platforms, and songs that have never been released in any form."

Everybody's Everything will be available in all of the traditional formats, as well as a double LP set that will include never-before-seen photos from Peep's life and career. There will also be limited pop-ups in both New York City and Los Angeles to preview the album. New York City's event takes place today at 97 Crosby St. and the Los Angeles event will be Nov. 6 at the Echoplex. The L.A. event will also host a live conversation with some of Peep's closest collaborators.
​Everybody's Everything Album Tracklist

1. "Liar"
2. "Aquafina" featuring Rich The Kid
3. "Ratchets" featuring Lil Tracy
4. "Rockstarz" featuring Gab3
5. "LA to London" featuring Gab3
6. "Fangirl" featuring Gab3
7. "Text Me" featuring Era
8. "Princess"
9. "Moving On"
10. "Belgium"
11. "When I Lie"
12. "I’ve Been Waiting" featuring iLoveMakonnen (Original Version)
13. "Live Forever"
14. "Ghost Boy"
15. "Keep My Coo"
16. "White Tee" featuring Lil Tracy
17. "Cobain" featuring Lil Tracy
18. "Witchblades" featuring Lil Tracy
19. "Walk Away as the Door Slams" (acoustic) featuring Lil Tracy
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